Remedios Varo
Varo’s most iconic works, such as *The Call* (1958) and *The Lovers* (1962), often feature solitary female figures engaged in acts of transformation or mystical discovery, surrounded by rich, symbolic landscapes. In *The Call*, a woman floats amidst an otherworldly landscape, poised in an enigmatic ritual that suggests both divine communication and self-discovery. Similarly, in *Woman of the Vernacular* (1959), Varo portrays a figure surrounded by a fantastical environment, drawing from her deep interest in astrology, alchemy, and the occult, where scientific and spiritual realms coexist in harmony.
Her work is filled with intricate symbolism, often reflecting a deep exploration of self and the mystical, as well as an interest in the scientific and metaphysical forces that shape reality. The female figure in many of her paintings represents an inner journey of empowerment and awakening, challenging societal norms and embodying a sense of autonomy and introspection. Varo’s careful attention to detail—her precise lines and harmonious compositions—imbue her dreamlike worlds with an otherworldly sense of calm and mystery, inviting viewers into a space of meditative reflection and wonder.
Remedios Varo, a visionary artist of the 20th century, is celebrated for her unique blend of surrealism, mysticism, and scientific curiosity. Born in Spain and later an influential figure in Mexico’s surrealist circle, Varo’s works transport viewers into intricate, dreamlike realms where the boundaries between the physical world and the fantastical dissolve. Her paintings are known for their finely detailed, almost magical quality, inviting us to explore worlds where science, alchemy, and the occult intertwine.
Remedios Varo, The Lovers, 1962
Remedios Varo, Visit To The Plastic Surgeon, 1960
Born in Anglès, Spain, Varo moved to Paris in the 1930s, where she became involved with the Surrealist movement. However, it was in Mexico, where she relocated in 1941 after fleeing the Spanish Civil War and World War II, that she found the vibrant, supportive environment that would allow her to truly develop her distinctive style. There, she became part of a circle of surrealist artists, including Leonora Carrington, with whom she shared an affinity for the mystical and symbolic. Varo continued to paint until her sudden death in 1963, leaving behind a body of work that remains a powerful testament to the transformative power of imagination, introspection, and spiritual exploration.
Remedios Varo, The Call, 1958
Remedios Varo, Star Catcher, 1956