Yoan Capote
Yoan Capote, Requiem (Altarpiece), 2020-2022
Yoan Capote, To Be Titled, 2019
Yoan Capote (b. 1977) is a Cuban artist whose work blends sculpture, installation, and performance to explore themes of identity, migration, and human emotion. Known for his deeply evocative pieces, Capote examines the complexities of the human experience, often drawing on his own cultural heritage to address the broader issues of freedom, exile, and social struggle. His art creates an emotional bridge between personal and collective histories, offering a space for viewers to reflect on the universal aspects of the human condition.
Yoan Capote, Autorretrato (estudio de resistencia), 2019
Yoan Capote, Requiem (lontananza), 2022
One of Capote’s most powerful works is The Weight of Insomnia (2003), a series of intricately designed sculptural pieces in which he uses everyday materials, such as nails, to symbolize the emotional weight of sleeplessness and psychological tension. His La Condición Humana (2010), a large-scale installation, portrays a profound emotional narrative of human vulnerability, combining both abstract and figurative elements to capture the often contradictory nature of our existence.
Capote’s work often evokes a strong emotional response by confronting the viewer with the rawness of human emotions such as anxiety, isolation, and longing. His pieces invite the audience to engage with the materials and forms in ways that challenge preconceptions about art, identity, and social structures. By bridging personal experiences with broader social themes, Capote’s work resonates on both a personal and universal level.
Yoan Capote, Immanence, 2015
Capote currently resides in Madrid, where his art continues to evolve and inspire and build a life with his family. With a deep connection to his Cuban roots and a commitment to confronting difficult topics, Yoan Capote’s work remains an important voice in contemporary art, compelling audiences to reflect on the emotional landscapes of identity, belonging, and human resilience.